Customize Consent Preferences

We use cookies to help you navigate efficiently and perform certain functions. You will find detailed information about all cookies under each consent category below.

The cookies that are categorized as "Necessary" are stored on your browser as they are essential for enabling the basic functionalities of the site. ... 

Always Active

Necessary cookies are required to enable the basic features of this site, such as providing secure log-in or adjusting your consent preferences. These cookies do not store any personally identifiable data.

No cookies to display.

Functional cookies help perform certain functionalities like sharing the content of the website on social media platforms, collecting feedback, and other third-party features.

No cookies to display.

Analytical cookies are used to understand how visitors interact with the website. These cookies help provide information on metrics such as the number of visitors, bounce rate, traffic source, etc.

No cookies to display.

Performance cookies are used to understand and analyze the key performance indexes of the website which helps in delivering a better user experience for the visitors.

No cookies to display.

Advertisement cookies are used to provide visitors with customized advertisements based on the pages you visited previously and to analyze the effectiveness of the ad campaigns.

No cookies to display.

For Ever More Images?

For Ever More Images?

Architectural design: Varvara Christopoulou, Panos Dragonas 
Curated by: Yorgos Karailias, Yorgos Prinos, Pasqua Vorgia

In 1977, the Voyager I and II spacecraft began their interstellar journey. On board, they were carrying audiovisual archives of a sort: golden records recording a message to possible extragalactic recipients, a time capsule for the future encoding and communicating mankind’s existence and achievements on planet Earth.But what would we send today, 40 years on? And what would the images placed inside a similar time capsule mean today? Could they perhaps serve as an alarm message about our planet’s uncertain future?

The “For Ever More Images?” project addressed this question at a time when the images we create and distribute are primarily determined by programming routines, algorithms and automated behaviours.
An exhibition-installation, an interactive cyber-mechanism which constructs time capsules, and a series of lectures and workshops, invited us to take a fresh look at the way we produce, consume, understand and signify the images of our 21st century.

Participating artists: Natalie Bookchin, James Bridle, Adam Broomberg & Oliver Chanarin, Harun Farocki, Joan Fontcuberta, Forensic Architecture, Maria Mavropoulou, Panos Mazarakis, Rabih Mroué, Jon Rafman, Taryn Simon, Monika Sziladi, Penelope Umbrico, Cameron-James Wilson, Liam Young.

April 9th – April 22nd 2019, Onassis Stegi, Athens -GR

Organized by Onassis Stegi

Audiovisual Coordination: Makis Faros

Production Coordination: Pasqua Vorgia

Technical Planning and Construction: TENSOR S.A. (G.S. Papadimitriou & M. Pantelidaki)

Art Handling / Installation: Vaggelis Tatsis

Photos: Pavlos Fysakis

Share this